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Spring 2018 Course Type: Related Course Code: BCRS GU4002 (3pts.) Go to Registrar
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(Dis)Integration in Frames: Race, Ethnicity, and Gender in Yugoslav & Post-Yugoslav Cinema

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This course investigates the complex relationship between aesthetics and ideology in Yugoslav andpost-Yugoslav cinema. It examines the variety of ways in which race, ethnicity, gender inequality andnational identity are approached, constructed, promoted, or critically dissected in film texts from theSocialist Federative Republic of Yugoslavia (SFRY) and its successor states (Bosnia, Croatia, Serbia,FYR Macedonia). The course has four thematic units and is organized chronologically. Unit I providesa historical perspective on the former Yugoslavia during and after World War II. Unit II examineswomen’s lives under Yugoslav state socialism, with particular emphasis on the relationship betweensex and politics. Unit III explores Yugoslavia’s wars of the 1990s. Unit IV focuses on the Romaminority in Yugoslavia. Films by Zafranović, Makavejev, Žilnik, Kusturica, Manchevski, Dragojević,Žbanać. All readings and discussions will be in English.

Spring 2018 Course Type: Joint Course Code: CLEN GU4822 (3pts.) Go to Registrar
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19th Century European Novel

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Instructor: Maire Jaanus

The 19th Century European Novel in the field of the emotions and in the cultural context of the major thinkers and the major historical events of the era.We will examine feelings, emotions, and passions in the novels from the perspectives of affective neuroscience, psychoanalysis, and philosophy in order to lay bare more clearly what is known and believed versus what is unknown, ignored or latent about human emotional reality at this time. Reading: Austen, Kleist (novella), Emily Bronte, Dickens, Dostoevsky, Hardy, D.H. Lawrence. No reading outside of the novels will be required on your part. , Further, my aim is to expand our cultural knowledge of the era by including the conceptual contributions and formative ideas of major 19th century thinkers in my lectures on the novels. Optional Reading of short selections from: Kant, Hegel, Feuerbach, Marx, Darwin, Kierkegaard, Nietzsche, and Freud. Those who wish to read and write in a comparative way or on any of the optional writers will be able to do so in lieu of one or, possibly, two novels.

Spring 2018 Course Type: Joint Course Code: CLIA GU4021 (3pts.) Go to Registrar
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Adriatic Romanticisms

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Prerequisites: Knowledge of Italian desirable but not necessary

This interdisciplinary seminar will study Romanticism as a literary trend, as much as a historical phenomenon and a life attitude. Romanticism is viewed here as the sum of the different answers to the sense of insecurity, social alienation and loneliness, provoked by the changing and frail world of the end of the eighteenth and the beginning of the nineteenth century. We will investigate the Romantic ideology in relation to the trans-Adriatic world of Italy and Greece, an area that entered modernity with the particular lure and burden of antiquity, as well as through revolutionary upheaval. Students will be invited to read authors like Vittorio Alfieri, Ugo Foscolo, Silvio Pellico, Giacomo Leopardi, Alessandro Manzoni, Massimo d’Azeglio, and to reflect on themes such as Nostalgia and Nationalism, the Discovery of the Middle Ages, the Historical Novel, the Invention of Popular Tradition, the Fragmented Self, Autobiographical and Travel Writing, the Brigand Cult, Hellenism, Philhellenism, Orientalism and Balkanism, and others.

Spring 2018 Course Type: CPLS Course Code: CPLS BC3510 (4pts.) Go to Registrar
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Advanced Workshop in Translation

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Prerequisites: CPLT BC 3110 – Introduction to Translation Studies is a recommended prerequisite. A deep immersion in the theory and practice of translation with a focus on translating into English. The first half of the course is devoted to discussing readings in the history of translation theory while translating brief practical exercises; in the second half, translation projects are submitted to the class for critical discussion. The foreign texts for these projects, chosen in consultation with the instructor, will be humanistic, not only literature as conventionally defined (prose fiction and poetry, memoir and travel writing), but also the gamut of text types in the human sciences, including philosophy, history, and ethnography. The aim is not just to translate, but to think deeply about translating, to develop writing practices by drawing on the resources of theory, past and present, and by examining translations written by professionals. In the spring of 2016, the workshop will be offered in two sections by Professor Peter Connor and Professor Emily Sun. The sections will share most of the common readings in the history of translation theory, but Professor Sun’s section will emphasize issues specific to translating East Asia. Enrollment in each workshop is limited to 12 students. Admission into the class is by permission of the instructor. CPLT BC 3011 “Introduction to Translation Studies” is a recommended prerequisite, plus, normally, two advanced courses beyond the language requirement in the language from which you intend to translate. Preference will be given to seniors and to comparative literature majors. Please Email pconnor@barnard.edu by 1 December 2015 with the following information: Name, year of graduation, major, college (BC, CU, etc.); a list of courses you have taken in the language from which you intend to translate; any other pertinent courses you have taken; a brief (max 300 word) statement explaining why you wish to take the workshop (this statement is not required if you have taken or are taking CPLT BC3110 Intro to Translation Studies).

Spring 2018 Course Type: Joint Course Code: MDES GU4237 (4pts.) Go to Registrar
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Arabs, Jews, and Arab Jews

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In modern times, the names and figures “Arab” and “Jew” have had a history of resemblance (19th century philologists and biblical scholars have often related to both “Semites” and discussed them interchangeably), followed by a history of setting the two figures apart in radical opposition. This spilt solidified in 1948, when Israel was established as a Jewish state on the ruins of Palestine, with close to 800,000 Palestinian refugees exiled from their homes. Within this context “Jew” and “Arab” became radically opposed political and cultural figures. While this remains the case for several decades within Israel, resulting in an active suppression of “Mizrahi” (Jews from the Levant and the Maghreb) culture, memory, and affiliations, the past two decades have been characterized by a boom in the production of Mizrahi art, music, and literature as well as a great development of a political and epistemological position that refuses to set “Jew” and “Arab” apart. In this course we will engage a broad theoretical spectrum of texts dealing with questions of memory, representation, hegemonic (state) power and the ability of counter-hegemonic cultural forces to de-colonialize structures of power. We will accompany these general theoretical readings with historical, political and literary texts by and about “Arabs,” and “Jews” that is by and about the relationship between these two figures, which in many cases, as we shall see, is not really two figures, but one. Finally we will explore the cultural and political meaning behind these literary productions and other projects. Are they mainly about the reconstructing the past? Reviving otherwise lost memories? Or should they be read as futuristic texts, invested in recovering the past bonds between “Jew” and “Arab” (often within the self) for the sake of creating an alternative future?

Spring 2018 Course Type: Related Course Code: AHIS GR8432 (4pts.) Go to Registrar
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Art/Theory in a Global Context

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Instructor: John Rajchman

In this Seminar, we will explore the question of ‘globalization’ in the arts, and the new debates to which it has given rise, since 1989, or the dawn of the 21st century. It is open to qualified students in any discipline concerned with such questions. While it is focused on visual arts and arts institutions, it involves other ‘media’ — film, photography, public art, literature. In conjunction with exhibitions at the Guggenheim and the Met Breuer opening this Spring, we will pay special attention to contemporary art in China and Brazil, but the Seminar welcomes students with interests in other areas or geographies as well. It is intended as a kind of open laboratory and forum about the role that critical theory has played and may yet play in this field, still in the making. Thus the challenges to ‘Euro-centrism’ and the associated problem of ‘critical translation’ will be discussed in terms of the overriding question: what is ‘transnational citizenship’ today, what role might art and critical thought play in it?

Spring 2018 Course Type: CPLS Course Code: CPLS GU4201 (4pts.) Go to Registrar
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Basic Concepts: Post-Freudian Thoughts

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This course examines psychoanalytic movements that are viewed either as post-Freudian in theory or as emerging after Freud’s time. The course begins by considering the ways Freud’s cultural and historical surround, as well as the wartime diaspora of the European psychoanalytic community, shaped Freudian and post-Freudian thought. It then focuses on significant schools and theories of psychoanalysis that were developed from the mid 20th century to the present. Through readings of key texts and selected case studies, it explores theorists’ challenges to classical thought and technique, and their reconfigurations, modernizations, and total rejections of central Freudian ideas. The course concludes by looking at contemporary theorists’ moves to integrate notions of culture, concepts of trauma, and findings from neuroscience and attachment research into the psychoanalytic frame.

Spring 2018 Course Type: Joint Course Code: ARCH A4648 (3pts.) Go to Registrar
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Beyond Beauty

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Spring 2018 Course Type: Related Course Code: GRKM GU4150 (4pts.) Go to Registrar
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C. P. Cavafy and the Poetics of Desire

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Instructor: Nikolas Kakkoufa

This course takes C. P. Cavafy’s oeuvre as a departure point in order to discuss desire and the ways it is tied with a variety of topics. We will employ a number of methodological tools to examine key topics in Cavafy’s work such as eros, power, history, and gender. How can we define desire and how is desire staged, thematized, or transmitted through poetry? How does a gay poet write about desired bodies at the beginning of the previous century? What is Cavafy’s contribution to the formation of gay identities in the twentieth century? How do we understand the poet’s desire for an archive? How important is the city for activating desire? How do we trace a poet’s afterlife and how does the desire poetry transmits to readers transform through time? How does literature of the past address present concerns? These are some of the questions that we will examine during this course.

Spring 2018 Course Type: Joint Course Code: GR655 (4pts.)

Capitalism /Political Subject-Latin America

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