This class places into comparative focus one of the oldest and one of the newest forms of global cinema outside of the U.S. It introduces and examines these film industries – their platforms, histories, aesthetics, and place in postcolonial life. We will explore how non-western contexts of film production and exhibition offer alternative histories of film. Topics include: aesthetics and genre; space and urbanization; colonialism and post-colonialism, shifting platforms of media exhibition, globalization, the notion of the popular and its relation to art.