How does the experience of terrorism impact artworks both aesthetically and thematically? And how do artworks that thematize terrorism reveal underlying issues and inner dynamics of contemporary society? In this interdisciplinary course, we will treat novels and films that use the theme of terrorism as a rich resource for understanding the consequences of terroristic violence and the trauma it produces at an individual and social level. To do so, we will compare the cultural reflections on the attack on the Twin Towers in Manhattan on 9/11 to Italy’s years of lead, which was the most disruptive case of domestic terrorism in a Western democracy prior to 2001. We will explore issues such as: the representation of the body of the terrorist and his/her victims; memory and trauma; women’s role in or vis à vis terroristic associations; children’s perspective on terroristic violence; terrorism and its effect on the nuclear family; the perspective of the Other and postcolonialism; martyrdom and sacrifice. As a result of our close analysis of films and novels on terrorism, we will be able to discover the specificity of 9/11 and the Italian years of lead, and the way in which art not only works as a therapeutic device, but also as analytic tool for political change.

 The Heyman Center for the Humanities, Room B-101
74 Morningside Drive
New York, NY, 10027
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