This course will engage with major approaches to performance theory, and theoretical perspectives on making performance, largely in dialogue with the development of modern drama. Questions will include: ideology and performance (realism, Brecht); cognition and character (acting theory, cognitive studies); subjects and subjection; textualities; words and things; cruelty and embodiment; theatrical mediation. Plays by: Ibsen, Strindberg, Shaw, Chekhov, Brecht, Pinter, Beckett, Parks.

 The Heyman Center for the Humanities, Room B-101
74 Morningside Drive
New York, NY, 10027
  (212) 854-4541
  (212) 854-3099